(Part seven in an ongoing series.)
I wasn't in the best frame of mind when I left for this week's church visit. I was coming off one of my sleepless nights -- I think it's a neurological thing; my flaky health is something I've touched on here many times in the past -- and I was feeling agitated over some recent events that aren't germane to this post.
I tried to talk myself out of going to church this week, but I had a feeling that if I didn't, I wouldn't go next week either, and the whole project would fall apart well before its completion. I know how I am.
So it was off to Osburn, two towns over from Wallace, for the second week in a row. This weekend, I decided to visit a place I drive by several times a week: the Osburn Christian Center, right along the main drag (so to speak).
I try to do my due diligence before visiting a church every week; if there's a website, I'll listen to some past sermons or read up on the history and theology of that particular faith community. But information for OCC was scant. There was no website that I could find, and just a bare-bones Facebook page with an email address for contact information. I usually bypass the email option, as I fail to get a response more often than not. So that meant I was flying blind this week.
When the kiddo and I stepped inside the church, I looked around for a bulletin or a flyer of some kind, in further hopes of getting any information in advance before the service. Alas, I didn't see anything -- but I did notice a prominent "God Is Love" banner hanging in the social hall that led to the sanctuary.
That statement, taken from the first epistle of John, is honestly one of my favorite New Testament verses: short and to the point, yet it conveys so much meaning. And if you proclaim that verse up front as a central part of your theology, I take that as a positive sign.
Now that I think about it, that one banner told me more about OCC than any bulletin or flyer ever could. Good first impression!
Once in the sanctuary, I took a quick picture to capture the room, which felt really big after stepping into it from a pretty small doorway. I saw several musical instruments spread across the stage, but none of them would be used at today's service. I was left to wonder who played them, and when.
I needn't have worried. As soon as we sat down in the back row of chairs, that friendly evangelical outreach that I appreciate so much when I visit churches like this finally came through and saved the day. The fellow who walked over to greet me was named Levi Page, and he introduced himself as one of three pastors at the church. He and two women, named Shelby Brandi and Lisa Morden, are on a rotating preaching schedule, he told me. This week happened to be Pastor Shelby's turn to command the lectern.
But before that, the kiddo and I were invited up front to join in a prayer circle. I haven't been in one of those in a long time, so even though it felt a little awkward, it was nice of them to welcome a total stranger to join them in such an intimate moment. I stood and politely listened as the woman next to me asked for prayers for what I believe was her granddaughter, age 7, who'd asked if the congregation could pray for her as she went to the hospital. When the woman emotionally proclaimed that we all could use the faith of a 7-year-old, my mind went immediately to the verse in the 18th chapter of the Gospel of Matthew, when Jesus says that we must become like little children to enter the Kingdom. I admit that I don't know how to do that. It's a very hard concept for an overthinker to wrap his head around.
Then we returned to our seats and the music began. Lots of it. Like, about 40 minutes of it. Now, I know nothing about the Contemporary Christian Music scene, outside of Neal Morse's first few prog-rock Christian-themed albums. But I have to say the music was pretty nice. Some of the songs at the churches I've been to so far have felt kind of bland and samey, but whoever made the song selections today came up with a nicely varied, lively, upbeat, and dynamic playlist. One song in particular jumped out at me, both musically and lyrically:
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